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These days I feel like I’m in a competition with my old self: the one who is excited about interactive projects and possibilities, whereas my current self is obsessed with pressure cooking….
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These days I feel like I’m in a competition with my old self: the one who is excited about interactive projects and possibilities, whereas my current self is obsessed with pressure cooking….
The other day I was reading a book on “How to Take Smart Notes“, what I was really fascinated with wasn’t the note taking system itself, but the story about the person…
Joyce says that you put a frame around it and see it first as one thing, and that, in seeing it as one thing, you then become aware of the relationship of part to part, each part to the whole, and the whole to each of its parts. This is the essential, aesthetic factor—rhythm, the harmonious rhythm of relationships. And when a fortunate rhythm has been struck by the artist, you experience a radiance. You are held in aesthetic arrest. That is the epiphany.
James Joyce has a memorable line: “History is a nightmare from which I am trying to awake.” And the way to awake from it is not to be afraid, and to recognize that all of this, as it is, is a manifestation of the horrendous power that is of all creation. The ends of things are always painful. But pain is part of there being a world at all.
Life is, in its very essence and character, a terrible mystery—this whole business of living by killing and eating. But it is a childish attitude to say no to life with all its pain, to say that this is something that should not have been.
Involved in this process of becoming himself is a profound experience of personal choice. He realizes that he can choose to continue to hide behind a façade, or that he can take the risks involved in being himself; that he is a free agent who has it within his power to destroy another, or himself, and also the power to enhance himself and others. Faced with this naked reality of decision, he chooses to move in the direction of being himself.
The individual is becoming more able to listen to himself, to experience what is going on within himself. He is more open to his feelings of fear and discouragement and pain. He is also more open to his feelings of courage, and tenderness, and awe. He is free to live his feelings subjectively, as they exist in him, and also free to be aware of these feelings. He is more able fully to live the experiences of his organism rather than shutting them out of awareness.
when one is truly and deeply a unique member of the human species, this is not something which should excite horror. It means instead that one lives fully and openly the complex process of being one of the most widely sensitive, responsive, and creative creatures on this planet.
He finds that gradually he can be his anger, when anger is his real reaction, but that such accepted or transparent anger is not destructive. He finds that he can be his fear, but that knowingly to be his fear does not dissolve him. He finds that he can be self-pitying, and it is not “bad.” He can feel and be his sexual feelings, or his “lazy” feelings, or his hostile feelings, and the roof of the world does not fall in. The reason seems to be that the more he is able to permit these feelings to flow and to be in him, the more they take their appropriate place in a total harmony of his feelings. He discovers that he has other feelings with which these mingle and find a balance. He feels loving and tender and considerate and cooperative, as well as hostile or lustful or angry. He feels interest and zest and curiosity, as well as laziness or apathy. He feels courageous and venturesome, as well as fearful. His feelings, when he lives closely and acceptingly with their complexity, operate in a constructive harmony rather than sweeping him into some uncontrollably evil path.