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Shakespeare said that art is a mirror held up to nature. And that’s what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is simply trapped by the image out there so that you never make the reference to yourself, you have misread the image.
One of the Shinto texts says that the processes of nature cannot be evil. Every natural impulse is not to be corrected but to be sublimated, to be beautified. There is a glorious interest in the beauty of nature and cooperation with nature, so that in some of those gardens you don’t know where nature begins and art ends—this was a tremendous experience.
Now, what is a myth? The dictionary definition of a myth would be stories about gods. So then you have to ask the next question: What is a god? A god is a personification of a motivating power or a value system that functions in human life and in the universe—the powers of your own body and of nature. The myths are metaphorical of spiritual potentiality in the human being, and the same powers that animate our life animate the life of the world. But also there are myths and gods that have to do with specific societies or the patron deities of the society. In other words, there are two totally different orders of mythology. There is the mythology that relates you to your nature and to the natural world, of which you’re a part. And there is the mythology that is strictly sociological, linking you to a particular society. You are not simply a natural man, you are a member of a particular group. In the history of European mythology, you can see the interaction of these two systems. Usually the socially oriented system is of a nomadic people who are moving around, so you learn that’s where your center is, in that group. The nature-oriented mythology would be of an earth-cultivating people. Now, the biblical tradition is a socially oriented mythology. Nature is condemned. In the nineteenth century, scholars thought of mythology and ritual as an attempt to control nature. But that is magic, not mythology or religion. Nature religions are not attempts to control nature but to help you put yourself in accord with it. But when nature is thought of as evil, you don’t put yourself in accord with it, you control it, or try to, and hence the tension, the anxiety, the cutting down of forests, the annihilation of native people. And the accent here separates us from nature.
MOYERS: Of course, we moderns are stripping the world of its natural revelations, of nature itself. I think of that pygmy legend of the little boy who finds the bird with the beautiful song in the forest and brings it home. CAMPBELL: He asks his father to bring food for the bird, and the father doesn’t want to feed a mere bird, so he kills it. And the legend says the man killed the bird, and with the bird he killed the song, and with the song, himself. He dropped dead, completely dead, and was dead forever.